Coffee Rhetoric: Foreign Films
Showing posts with label Foreign Films. Show all posts
Showing posts with label Foreign Films. Show all posts

June 13, 2014

Must Watch - Five Foreign Films You May Have Missed on Netflix or Hulu

I quite enjoy my Roku streaming device and am a self-professed film nerd. I'm also an avid watcher of streamed movies: whether they're cult classics, horror, Grindhouse, obscure arthouse, documentaries, or TV series – especially when they're offered through Netflix, HULU Plus, and Film Movement; so I've come to appreciate reading compiled ‘What to Watch on Netflix’ lists, because I’m often made privy to gems I may overlook while perusing the streamed offerings.

To note, 
I've been blogging for a long time, and would sometimes make film suggestions or write reviews of my own… pre-streaming, of course. I miss weighing-in and sharing what I've watched, and have enjoyed some really interesting films of late, in addition to revisiting some old favorites. So without further ado, I've been prompted to offer a list of suggested films, of my own, starting with foreign films. 
Here is a list of 5 must-watch foreign films via Netflix Instant Watch, Hulu, or other... 

February 28, 2014

Revisiting the Film: Little Senegal

Updated review. Originally posted December, 2011


Last night while in the throes of insomnia, I decided to lull myself to sleep with a mini-movie marathon of sorts via Netflix. I watched and stopped several films before deciding on one: Little Senegal.  This film left enough of an indelible impression after I finished watching it; I was up until about 4:00 AM this morning mulling it over.
The Netflix reviews were ambivalent at best, suggesting it was dull, uninteresting, and that the acting was "wooden", however, as far as I'm concerned this reaction is par for the course from folks who don't have an emotional or vested interest in these types of films unless it's palatable and more along the lines of ‘magical negro’ fare with a white savior trope.

Little Senegal, a 2001 film directed by French-Algerian filmmaker Rachid Bouchareb, was far from uninteresting. It explored elements of the African Diasporic, immigrant experience and was somewhat reminiscent of Haile Gerima's film Sankofa, in that it charts the history and effects of the Atlantic slave trade. While the main character in Sankofa— a self-absorbed, black fashion model living in the present-day— is forced back in time to a plantation in the West Indies, to experience the horrors of slavery and learns the importance of community and advocacy; the protagonist in Little Senegal, an elderly man named Alloune, researches his heritage and those of his ancestors who were kidnapped and sold into American slavery, prompted by his own curiosity.