December 03, 2015

The Wiz Live! or Racists Ruin Everything

In case you don’t know, NBC’s The Wiz Live! makes its nationally televised debut tonight at 8:00 pm, much to my (and loads of other people’s) delight. If you’re a fan of the 1978 film version directed by Sidney Lumet and starring Diana Ross, Michael Jackson, Lena Horne, Nipsey Russell, Mabel King and a host of other Black entertainment notables, then this a big deal. Furthermore, if you’re a fan Stephanie Mills’s soul-stirring version of Home from the 1975 Broadway version of The Wiz, and saw the clip of her rehearsing with newcomer Shanice Williams (the new Dorothy), then you’re really stoked for tonight, no doubt.

This is all cause for an exciting night at home, snacks and wine on deck, right? Right? Well, not according to Whiteness… which works to piss on the proverbial parade of any person, place, or thing that poses a threat to its power and/or privilege; and anti-Black sentiment extends to the world of entertainment and theater—whether racists are having a collective hissy-fit over actress Amandla Stenberg being cast as Rue in the first installment of The Hunger Games, lobbing ugly racial hate at singer FKA Twigs for being engaged to Twilight actor Robert Pattinson, or threatening to boycott the new Star Wars movie for its inclusion of a Black Storm Trooper—anti-Blackness isn’t exclusively perpetrated by old-timers from the American South, the GOP, and Donald Trump supporters; liberals, millennials, and Gen Xers alike are just as hateful… despite some of these same offenders liberally vulturizing Black culture and vernacular, but I digress.

A Twitter-search of ‘The Wiz Live’ will expose a host of clueless white folks who’ve never even
heard of the 1975 Broadway production of The Wiz or watched the 1978 film adaptation, but who felt equipped enough to complain about what they perceive to be ‘reverse-racism’ because, Yemaya forbid, if everything isn’t centered on Whiteness. Notwithstanding the fact that the 1939 musical-film fantasy The Wizard of Oz, starring Judy Garland as Dorothy, was an all-white affair.

October 10, 2015

Thats So Raven: Raven-Symoné Won't Hire You If Your Name is Too 'Ghetto' Despite Her Own

I been gone for a minute, now I’m back with the Jump off.  And what better way to dive back in than through unfettered snark aimed at a short-sighted celebrity’s misguided ways?

The last time I expended energy on our, now be-cockatooed , friend Raven-Symoné, she engaged Oprah Winfrey in a bold (and awkwardly worded) ramble about her identity, and how she’d rather be considered as American rather than African-American. Despite Oprah offering Raven an opportunity to clarify her comments, she stood her ground and let her awkward, hippy-dippy b.s. ride the wave of stupidity.

Since my aforementioned post, Raven has been christened as the latest co-host on ABC’s The View (another in a revolving door of hosts), and her newly minted position has enabled her to curse us with several gaffes in-between being an American with a "nice, interesting grade of hair" and now. Perched on a nationally televised platform, with the Blackety-Black name Raven-Symoné, our sad clown has seemingly committed herself to playing The View’s resident Supreme Troll… a crown she quickly made haste, and snatched from Whoopi Goldberg--'cause let's be real, despite intermittent moments of clarity, Whoopi says some simple-minded shit too.

June 16, 2015

Notes on a Scandal: Rachel Dolezal and the ‘Trans-Black’ Con

By now, you’ve probably heard the sordid and bewildering story of world class Decepticon, Rachel Dolezal, explode across your social media timelines. Each day since her cover was blown Rachel's alternate reality shatters in a million little pieces, as more information is revealed about her real identity. In the event you’ve been luxuriating on a remote island, off the coast of I’ve Got Fancier Shit to Worry About, here’s the gist of the situation: Rachel Dolezal—a White woman, and (now former) president of Spokane Washington’s NAACP chapter—has been living a good chunk of her adult life masquerading (with the help of slightly darker makeup, box braid extensions and Afro-textured wigs) as a biracial woman with a Black father, and reaping the benefits of colorism’s complexion hierarchy.

In an elaborate 21st century minstrel tale that probably makes Vijay Chokalingam envious, Rachel was able to craft a highly derivative life, as if she’d taken her cues from the scripted pages of a psychological thriller.

May 11, 2015

Media Matters: Global Girls Media Looking to Change the Face and Voice of Digital Media

Source: globalgirlmedia.org
With shoddy news reports of the anti-police violence protests unfolding around the country and the cluelessness of entertainment reporters and journalists, finding fair and balanced coverage from mainstream media outlets is often an exercise in futility. There seems to be a segment of journalists who seem far more interested in upholding harmful media archetypes about gender, race and class than they are in getting to the crux of human interest stories and recognizing the importance of fair media representation; because skewing facts to appease their demographic takes precedence over impartiality, prompting people to turn to citizen journalism for a no-frills, nuanced and unbiased approach to news.