Coffee Rhetoric: White Supremacy
Showing posts with label White Supremacy. Show all posts
Showing posts with label White Supremacy. Show all posts

December 03, 2015

The Wiz Live! or Racists Ruin Everything

In case you don’t know, NBC’s The Wiz Live! makes its nationally televised debut tonight at 8:00 pm, much to my (and loads of other people’s) delight. If you’re a fan of the 1978 film version directed by Sidney Lumet and starring Diana Ross, Michael Jackson, Lena Horne, Nipsey Russell, Mabel King and a host of other Black entertainment notables, then this a big deal. Furthermore, if you’re a fan Stephanie Mills’s soul-stirring version of Home from the 1975 Broadway version of The Wiz, and saw the clip of her rehearsing with newcomer Shanice Williams (the new Dorothy), then you’re really stoked for tonight, no doubt.

This is all cause for an exciting night at home, snacks and wine on deck, right? Right? Well, not according to Whiteness… which works to piss on the proverbial parade of any person, place, or thing that poses a threat to its power and/or privilege; and anti-Black sentiment extends to the world of entertainment and theater—whether racists are having a collective hissy-fit over actress Amandla Stenberg being cast as Rue in the first installment of The Hunger Games, lobbing ugly racial hate at singer FKA Twigs for being engaged to Twilight actor Robert Pattinson, or threatening to boycott the new Star Wars movie for its inclusion of a Black Storm Trooper—anti-Blackness isn’t exclusively perpetrated by old-timers from the American South, the GOP, and Donald Trump supporters; liberals, millennials, and Gen Xers alike are just as hateful… despite some of these same offenders liberally vulturizing Black culture and vernacular, but I digress.

A Twitter-search of ‘The Wiz Live’ will expose a host of clueless white folks who’ve never even
heard of the 1975 Broadway production of The Wiz or watched the 1978 film adaptation, but who felt equipped enough to complain about what they perceive to be ‘reverse-racism’ because, Yemaya forbid, if everything isn’t centered on Whiteness. Notwithstanding the fact that the 1939 musical-film fantasy The Wizard of Oz, starring Judy Garland as Dorothy, was an all-white affair.

April 06, 2015

Black Like Me: How Mindy Kaling's Brother Claims He Duped Academia by Posing As a Black Man

Unpopular opinion: there are segments of non-Black people of color who map out their ‘American Dream’ through the lens of White Supremacy, cultivate their characters and make names for themselves by co-opting (or exploiting) the voices and experiences of Black-Americans, and who try to peddle some agenda by throwing Black people under the bus. And it’s something that has always stuck in my craw, because whatever the motive, ‘Blackness’ (whether it be through cultural appropriation or the perpetuation of anti-Blackness) seems to serve as the impetus for how some non-Black PoC attain upward mobility and notoriety.

Needless to say, Vijay Chokal-Ingam, the older brother of South Asian-American comedic actress and showrunner Mindy Kaling, is no exception. Vijay is kicking up some dust on social media by claiming to have once concocted a ploy—turned nefarious social experiment—as an undergrad, in which he pretended to be a Black man to garner acceptance into a medical school, and continued on with his alleged charade for 2 years, during his stint.