Coffee Rhetoric: Tunechi
Showing posts with label Tunechi. Show all posts
Showing posts with label Tunechi. Show all posts

March 11, 2013

The Intersection of Madness & Reality Cross-post: Lil Wayne, Emmett Till, & Rap's Misogyny



This post (written by Intersection of Madness & Reality contributor, Livication) was originally published February 22, 2013.



Why Lil Wayne’s Emmett Till Lyric was Also a Women’s Issue

by 


I love hip hop. Loving something doesn’t make it free from legitimate criticism; there is a history of certain rap/hip-hop artists maintaining a certain attitude toward women and in discussing this in my personal conversations, I’m often brought back to a chicken-egg conversation. Do artists have a responsibility to restrict their message because some of the people who receive their work may not be capable of examining and properly critiquing it? Do audience members (and whoever may be responsible for them) have a responsibility to withdraw from supporting the artists that they like when they are offensive, outrageous, and disgusting? I’d argue yes, to both.

So, yeah. Lil Wayne is featured on the remix of Future’s song “Karate Chop” — which appears to be about selling cocaine, riding in fancy cars, and generally blowing money — and yet again, he’s offended the masses. As an artist, I often wonder if certain things are untouchable; as an activist (and supposed decent human being), I know that many people abide by our social mores and the cultural understanding that we have of the difference between ‘right’ and ‘wrong’ and behavior that is simply in poor taste.

And along comes Lil Wayne. Not-in-his-defense, I have found that our objections of the really awful things that he says aren’t particularly for all the right reasons. For example, the latest hubbub is based on Tunechi saying: Beat that p*ssy up, like Emmett Till.

As with anything, we should look at the lyric in it’s full context. So, Weezy’s full verse, if it provides any source of context for you, says: