Coffee Rhetoric: Gender
Showing posts with label Gender. Show all posts
Showing posts with label Gender. Show all posts

May 07, 2014

Saturday Night Jive: Leslie Jones’ Story Matters Too

I’m a black woman... and racio-misogynist trespasses and general anti-blackness are constant and relentless at times. And since social media has made the gnarled reach of racism and sexism easier and more visible, it comes from all directions and the volume of discontent against black women seems to have been dialed up. Whether it’s from white men constantly finding reasons to further pathologize us; from black men utilizing every opportune moment to publicly belittle us and blame us for the ills of the world; or from white feminists seeming to find solace in disparaging black female audacity and womanhood (when they aren't vulturizing aspects of it to much acclaim and dissecting or using our bodies as rhetorical devices to prop up white womanhood); it's a Möbius strip of bullshit and flailing against constant assaults against black female person-hood is exasperating.  And make no mistake about it, our anger is warranted, but the origin and continued perpetuation of what causes the anger is burdensome.

March 11, 2013

The Intersection of Madness & Reality Cross-post: Lil Wayne, Emmett Till, & Rap's Misogyny



This post (written by Intersection of Madness & Reality contributor, Livication) was originally published February 22, 2013.



Why Lil Wayne’s Emmett Till Lyric was Also a Women’s Issue

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I love hip hop. Loving something doesn’t make it free from legitimate criticism; there is a history of certain rap/hip-hop artists maintaining a certain attitude toward women and in discussing this in my personal conversations, I’m often brought back to a chicken-egg conversation. Do artists have a responsibility to restrict their message because some of the people who receive their work may not be capable of examining and properly critiquing it? Do audience members (and whoever may be responsible for them) have a responsibility to withdraw from supporting the artists that they like when they are offensive, outrageous, and disgusting? I’d argue yes, to both.

So, yeah. Lil Wayne is featured on the remix of Future’s song “Karate Chop” — which appears to be about selling cocaine, riding in fancy cars, and generally blowing money — and yet again, he’s offended the masses. As an artist, I often wonder if certain things are untouchable; as an activist (and supposed decent human being), I know that many people abide by our social mores and the cultural understanding that we have of the difference between ‘right’ and ‘wrong’ and behavior that is simply in poor taste.

And along comes Lil Wayne. Not-in-his-defense, I have found that our objections of the really awful things that he says aren’t particularly for all the right reasons. For example, the latest hubbub is based on Tunechi saying: Beat that p*ssy up, like Emmett Till.

As with anything, we should look at the lyric in it’s full context. So, Weezy’s full verse, if it provides any source of context for you, says: