Updated review. Originally posted December, 2011
The Netflix reviews were ambivalent at best, suggesting it was dull, uninteresting, and that the acting was "wooden", however, as far as I'm concerned this reaction is par for the course from folks who don't have an emotional or vested interest in these types of films unless it's palatable and more along the lines of ‘magical negro’ fare with a white savior trope.
Little Senegal, a 2001 film directed by French-Algerian filmmaker Rachid Bouchareb, was far from uninteresting. It explored elements of the African Diasporic, immigrant experience and was somewhat reminiscent of Haile Gerima's film Sankofa, in that it charts the history and effects of the Atlantic slave trade. While the main character in Sankofa— a self-absorbed, black fashion model living in the present-day— is forced back in time to a plantation in the West Indies, to experience the horrors of slavery and learns the importance of community and advocacy; the protagonist in Little Senegal, an elderly man named Alloune, researches his heritage and those of his ancestors who were kidnapped and sold into American slavery, prompted by his own curiosity.